Ghost Rider #4 — VF/NM 9.0

$110.00

Ghost Rider #4 (Feb 1974, Marvel Comics)VF/NM 9.0

Early Bronze Age Key • John Romita Sr. Cover • Demolition Derby Storyline

A sharp, high-grade copy of Ghost Rider #4 featuring the flaming-skulled antihero at the height of his early-’70s cult popularity. Written by Gary Friedrich with art by Jim Mooney and Vince Colletta, this issue combines supernatural action with the pulp-grit tone that defined Marvel’s Bronze Age horror line.

📚 Story:
“Death Stalks Demolition Derby!” — At sunrise, Johnny Blaze reverts from Ghost Rider and finds his mortal injuries have returned. But when a hitman targets a Las Vegas demolition-derby driver, the Spirit of Vengeance rides again to deliver flaming justice.

📝 Maj. Picto’s Grading Notes
VF/NM (9.0) — Bright, glossy cover with bold color, tight staples, and excellent page preservation. Minimal surface wear visible only under close inspection. A clean, well-kept example of an early Ghost Rider issue showcasing Romita’s iconic cover work and Friedrich’s street-level horror storytelling.

Ghost Rider #4 (Feb 1974, Marvel Comics)VF/NM 9.0

Early Bronze Age Key • John Romita Sr. Cover • Demolition Derby Storyline

A sharp, high-grade copy of Ghost Rider #4 featuring the flaming-skulled antihero at the height of his early-’70s cult popularity. Written by Gary Friedrich with art by Jim Mooney and Vince Colletta, this issue combines supernatural action with the pulp-grit tone that defined Marvel’s Bronze Age horror line.

📚 Story:
“Death Stalks Demolition Derby!” — At sunrise, Johnny Blaze reverts from Ghost Rider and finds his mortal injuries have returned. But when a hitman targets a Las Vegas demolition-derby driver, the Spirit of Vengeance rides again to deliver flaming justice.

📝 Maj. Picto’s Grading Notes
VF/NM (9.0) — Bright, glossy cover with bold color, tight staples, and excellent page preservation. Minimal surface wear visible only under close inspection. A clean, well-kept example of an early Ghost Rider issue showcasing Romita’s iconic cover work and Friedrich’s street-level horror storytelling.