DC Comics · Wonder Woman #62 · November–December 1953 · 10¢ · 52 pages · Bimonthly
Grade: VG- 3.5
Creator credits for this issue are not confirmed in our data. The robot isn't going to make something up.
The cover story, “Wonder Woman's Triple Identity,” is the hook here — a lineup scene with three Wonder Women and a gun pointed at them, which is exactly the kind of identity-swap plotting that ran through the title in this period. Diana Prince, Wonder Woman, and the complications that come from living two lives simultaneously were bread and butter for the book throughout the early fifties. Beyond that premise, specific plot beats, page counts, and confirmed creative credits for this issue aren't in our verified data, and we're not filling that gap with reconstruction.
Additional stories appear in this issue consistent with the bimonthly format of the era, but without confirmed titles or credits, we'll leave those to the book itself.
Issue #62 lands in the heart of the Kanigher–Peter run that defined the character's Golden Age identity. H.G. Peter's tenure as the primary artist on this title was winding down around this period — he died in 1958 — making later Golden Age issues increasingly scarce with his work. Whether he drew this one specifically isn't confirmed, but the era context is worth knowing.
Condition VG- 3.5 — .
We use what the scientists are calling artificial intelligence to research and write our descriptions — it gives us more time to add books to our website and provide you with a wider array of inventory. We think Klaatu would approve. Details are verified but the robot does slip up. We're not infallible. Every book is graded by a human collector who has actually held it. If anything ever looks off, reach on out at robopictocomics@gmail.com.
DC Comics · Wonder Woman #62 · November–December 1953 · 10¢ · 52 pages · Bimonthly
Grade: VG- 3.5
Creator credits for this issue are not confirmed in our data. The robot isn't going to make something up.
The cover story, “Wonder Woman's Triple Identity,” is the hook here — a lineup scene with three Wonder Women and a gun pointed at them, which is exactly the kind of identity-swap plotting that ran through the title in this period. Diana Prince, Wonder Woman, and the complications that come from living two lives simultaneously were bread and butter for the book throughout the early fifties. Beyond that premise, specific plot beats, page counts, and confirmed creative credits for this issue aren't in our verified data, and we're not filling that gap with reconstruction.
Additional stories appear in this issue consistent with the bimonthly format of the era, but without confirmed titles or credits, we'll leave those to the book itself.
Issue #62 lands in the heart of the Kanigher–Peter run that defined the character's Golden Age identity. H.G. Peter's tenure as the primary artist on this title was winding down around this period — he died in 1958 — making later Golden Age issues increasingly scarce with his work. Whether he drew this one specifically isn't confirmed, but the era context is worth knowing.
Condition VG- 3.5 — .
We use what the scientists are calling artificial intelligence to research and write our descriptions — it gives us more time to add books to our website and provide you with a wider array of inventory. We think Klaatu would approve. Details are verified but the robot does slip up. We're not infallible. Every book is graded by a human collector who has actually held it. If anything ever looks off, reach on out at robopictocomics@gmail.com.
