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Laser-eyed swamp beasts, lava pits, and classic pulp suspense — this 12″ × 16″ framed print of Eerie #8 (Avon, Aug–Sept 1952) brings Harry Lazarus’s iconic horror cover to life. Printed on thick archival matte paper and housed in a lightweight matte black Ayous wood frame from renewable forests, it’s ready to hang and built to last. Includes Acrylite front protector and all mounting hardware. A mid-century monster classic, museum-ready and made to display.
A quick note on pricing — yeah, it’s a little higher than department store décor. That’s because we don’t cut corners. We’ve sourced the highest-resolution scans, boosted the vibrancy, and paired them with archival paper and quality framing to deliver a piece worthy of the art. Everything’s made on demand to keep waste low and quality high. Fewer things, made better — the way it should be.
Laser-eyed swamp beasts, lava pits, and classic pulp suspense — this 12″ × 16″ framed print of Eerie #8 (Avon, Aug–Sept 1952) brings Harry Lazarus’s iconic horror cover to life. Printed on thick archival matte paper and housed in a lightweight matte black Ayous wood frame from renewable forests, it’s ready to hang and built to last. Includes Acrylite front protector and all mounting hardware. A mid-century monster classic, museum-ready and made to display.
A quick note on pricing — yeah, it’s a little higher than department store décor. That’s because we don’t cut corners. We’ve sourced the highest-resolution scans, boosted the vibrancy, and paired them with archival paper and quality framing to deliver a piece worthy of the art. Everything’s made on demand to keep waste low and quality high. Fewer things, made better — the way it should be.